In person at the Navatman Studios - 38 W. 32nd St, Suite 1207, New York, NY 10001
AND
Online via Zoom
Cost:
Register after July 1: $385
Early bird (register before July 1) for active or dormant Navatman students: $285
Early bird (register before July 1) for non-Navatman students: $300
Attention Bharatanatyam dancers/lovers!
Navatman brings to you a Bharatanatyam-filled weekend (Aug 5th-7th) where you can
Attend in-person or online
Hone your technique and develop strength and stamina
Deepen and grow at an accelerated pace through the condensed intensive format
Learn small compositions to delve more into vocabulary and repertoire
Experience required:
Open level and appropriate for beginners as well as dancers who have learned for multiple years. Some classes will be split into different levels to suit everyone’s needs.
Who this is for:
Bharatanatyam dancers looking to challenge themselves, push to the next level, and deepen their understanding of dance through a weekend of rigorous but fun training.
What you will get out of it:
There is nothing like an intensive to change your dancing to the next level. For anyone who loves dance, this experience is a joy, to feel what it is to be a professional for a weekend and grow at an exciting level.
Schedule (all times are Eastern Daylight Time):
Friday, August 5:
6PM - 7PM - Warm up and body conditioning
7PM - 8PM: adavus and technique
8PM - 9PM: learn an item
Saturday, August 6:
11AM - 12PM Warm Up and body conditioning
12PM - 1:15PM Adavus and Technique
1:15PM - 2:15PM lunch break
3:15 - 4:30PM Learn an item
Sunday, August 7:
11AM - 12PM Warm Up and body conditioning
12PM - 1:15PM Adavus and Technique
1:15PM - 2:15PM lunch break
3:15 - 4:30PM Learn an item
About the Artist:
Sahasra Sambamoorthi’s initial training began under Smt Kalaimamani Ramya Ramnarayan in Bharatanatyam and now continues in Kathak with Prashant Shah and Odissi with BIjayini Satpathy and Nrityagram. A practitioner of the form for 25+ years, and a teacher of dance for 17 years, she has spent the last 10 years devoting her time to new body movements within the traditional adavu structure that allows for variations of rhythm and technique that both challenge the body and increase fluidity.
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